Mo's Society of T'ai Chi & Acupuncture
Note: this non-frames version of the page is no longer being
maintained.
Philip Mo, B.Sc., Doctor of Chinese Medicine, has been teaching T'ai Chi
and related arts for over twenty years. In addition, he is also an accomplished
fingertip acupuncturist and practitioner of Chinese herbal medicine. This "home
page" for Mo's Society of T'ai Chi & Acupuncture provides information on
the services and arts that are available.
The information provided by these pages is intended to provide only an
overview. To learn more about these topics requires that you find a qualified
teacher.
Instruction in our society is traditional, and is based on
thousands of years of experience about teaching techniques that have been
proven to be effective.
The term Sifu appears throughout these pages, as in Sifu
Mo. The word means master or teacher.
The pages also refer to internal martial arts. These are systems
that initially concentrate on the development of the internal energy often
called Ch'i. This is in contrast to the external styles which
initially focus on the production of muscular power.
Sifu Mo teaches internal martial arts and offers traditional Chinese
healing at a variety of locations in and around Toronto. These include:
- Hart House at the University of Toronto: primarily for people
associated with the University of Toronto.
- The society's main studio: open to all.
Sifu Mo has been teaching T'ai Chi Chuan at Hart House at the University
of Toronto for over 20 years. All University of Toronto students are members of
Hart House; U of T alumni, faculty, and staff, and alumni of other recognized
universities, are eligible for Senior Membership in Hart House. At present
beginner's classes are on Wednesdays from 12 noon to 1PM and from 6PM to 7PM in
the Exercise Room; these times change during the cycle of the academic year.
Further information about Hart House is available from its web site at
http://www.utoronto.ca/harthouse/.
Visitors are always welcome at our main studio. It is located at
84 Augusta Avenue, downstairs, in the heart of Chinatown in downtown Toronto;
the location is shown on the map to the right. A larger rendering may be seen
by clicking on the map; use the Back button of your browser to return
here. We are open at the following times:
Day of Week |
Time |
Tuesday |
6-9 PM |
Thursday |
6-9 PM |
Sunday |
10AM - noon |
|
 |
Sifu Mo can be reached at (416) 370-2987 (pager) or (416) 407-8060 (cell
phone).
We can also be reached via e-mail to Dr. David Harrison; to send
us mail click on the image to the right: |
 |
"Yield and overcome;
Bend and be
straight;
Empty and be full;
Wear out and be new;
Have little and gain;
Have much and be confused."
Lao Tsu, Tao Te Ching 22, trans. by Gia-Fu Feng and Jane English.
Sifu Mo has been practising T'ai Chi Chuan,
along with the related arts of Pa Kua and Hsing-I, for over
forty-five years. He is also an accomplished fingertip acupuncturist and
practitioner of Chinese herbal medicine.
He began learning T'ai Chi Chuan at
the age of 12 in Hong Kong. At first, he studied two different styles, Wu and
Yang, but soon chose to concentrate on the Wu style, under the tutelage of Sifu
Cheung Wing Kwong.
In the years that followed, Sifu Mo became expert at the various
subjects of T'ai Chi: sword, sabre, boxing, wrestling and others. Among these
were the esoteric art of Ch'i Kung, a practice that develops a powerful
internal energy useful for health, healing, and self-defence. With this
discipline as a basis, Sifu Mo studied traditional Chinese medicine, including
acupuncture, finger-tip acupuncture, herbal remedies, and internal healing.
In addition to these accomplishment, Sifu Mo has also studied other
martial arts. Until his mid-twenties, he studied three other styles. He learned
Pa Kua and Hsing-I, two other 'internal' styles similar in
philosophy and approach to T'ai Chi Chuan. For interest, he also learned
about Lost Track Kung Fu, a style differing radically from the slow fluid
movements of T'ai Chi in its hard, 'external' approach
Although he graduated in 1964 with a degree in Civil Engineering, Sifu
has chosen to work as a professional T'ai Chi teacher. In 1982 he was certified
to practice traditional Chinese medicine in Canada, and has a thriving private
practice.
In addition to teaching at the main studio in Toronto's downtown
Chinatown, Sifu Mo teaches at Hart House of the University of Toronto, the
Globe and Mail newspaper, Sunnybrook Hospital, and the John G. Althouse
Community School in Etobicoke. He also accepts private students.
Finally, he is a cofounder and currently a Director, Honorary President
and Vice Chairperson of the Canadian Chinese Kuo Shu (Martial Arts)
Foundation; the Foundation's web site is http://www.wushu.com.
Courses and Workshops
The Mo Society has regular courses of study and from time to time offers
special workshops on particular topics.
Courses of Study
At present, we are giving two continuing courses of study:
- Traditional Wu Style T'ai Chi Chuan. T'ai Chi Chuan is the
foundation for the various internal disciplines. Although concentrating on the
T'ai Chi Chuan form, this course also gives students brief introductions to
these other disciplines.
- Ch'i Kung. A system of meditation, breathing and
postures.
Workshops
Workshops can range from an hour or two to a few months in duration.
Often the topic of a workshop is further divided into Introductory,
Intermediate and Advanced Levels; "refresher" workshops are also given from
time to time.. Recent arts taught in workshops include:
- T'ai Chi Sword
- T'ai Chi Sabre
- T'ai Chi Stick
- T'ai Chi Ruler
- T'ai Chi Self Defense
- T'ai Chi Pushing Hands
- Short form of T'ai Chi Chuan
- Pa Kua
- Hsing-I
T'ai Chi Chuan
T'ai Chi Chuan is the well known
Chinese martial art which in its basic form resembles a slow and graceful
dance. It is based on the powerful and subtle application of the principles of
Yin and Yang to every action.
This basic principle of Yin and Yang is that underlying all things,
pairs of opposites complement each other.
- Day turns into night.
- Hard becomes soft.
- Tension leads to relaxation.
- Noise alternates with quiet.
- Male complements female.
- West balances East.
All traditional Eastern martial arts, including T'ai Chi, stand
on three "legs." These are: physical fitness, mental awareness, and
self-defence.
Family names became associated with the different styles of T'ai
Chi that were being passed along, mouth to ear, from generation to
generation. The three best known styles of T'ai Chi are Wu,
Yang, and Chen. Our school concentrates on the Wu style.
The phrase T'ai Chi means supreme ultimate, and
Chuan means hand or fist. Thus T'ai Chi Chuan means
'supreme ultimate hand'. T'ai Chi Chuan forms the basis for weapons
forms such as T'ai Chi Sword, Sabre, and Stick.
"The form is fixed, but the feeling is not fixed." -- Sifu Mo
Chinese Healing
Sifu Mo has a thriving practice in both acupressure therapy and herbal
medicine. Here we briefly describe acupressure therapy.
Acupressure Therapy
Traditional Chinese Acupressure Therapy for Common Work-Related
Problems
- Eye strain / headache / migraine
- Neck and shoulder tension or pain
- Chronic lower back pain / sciatica
- Numbness or pain in hands or arms (carpal tunnel syndrome)
- Anxiety or depression
- High blood pressure
What is Traditional Chinese Acupressure Therapy?
Using the comprehensive, total wellness approach of the over 1000 year
old Chinese medical tradition, Traditional Chinese Acupressure Therapy provides
a soothing massage through a careful and strategic manipulation of pressure
points, based on the body's meridians.
What can I expect during treatment?
- Traditional Chinese Acupressure Therapy can be preformed almost
anywhere, the workplace for example, without the use of special equipment or
the unnecessary removal of clothing.
- Following an initial consultation, Dr. Mo applies specialized massage
and pressure point manipulation techniques to further diagnose the state of the
your internal health.
- Then, it's time to relax and enjoy the soothing, thoroughly
satisfying experience of Traditional Chinese Acupressure Therapy.
- And don't be surprised if you have more energy than when you
started!
How exactly does Traditional Chinese Acupressure Therapy help
me?
- Traditional Chinese Acupressure Therapy releases tension and stress,
promotes deep relaxation, boosts your natural energies, and stimulates your
immune system by balancing the body's internal systems.
- Traditional Chinese Acupressure Therapy bases its treatment on a
series of interconnected energy lines, called meridians, running throughout the
body. Each of these energy lines, and the acupressure points along it,
correspond to one of the body's major organs. Treatment is based on relief of
external (muscular) and internal (nervous) stresses through a rebalancing of
meridian energies.
But I have more serious injuries or chronic problems: can
Traditional Chinese Acupressure Therapy help me?
YES ! Traditional Chinese Acupressure Therapy has proven an effective
treatment for sports and motor vehicle injuries, arthritis, and other chronic
physical and psychological ailments
What are others saying about Dr. Mo's treatments?
"I pulled muscles in my lower back during a game of squash to the
point where it was excruciatingly painful to walk and impossible to bend
forward. A trip to the chiropractor made the problem worse. My family doctor
told me to rest and gave me pills. Thirty minutes with Dr. Mo, and I was up
walking with virtually full mobility returned. By the next day, I was back at
work with no residual discomfort."
Dr. Christopher Schiller, Senior Analyst, Ontario Management Board
Secretariat.
Pa Kua Chang
Pa Kua Chang means "hand of the eight trigrams." The photograph
to the right shows Sifu Mo practicing Pa Kua.
Pa Kua derives its philosophy and name from the eight primary
trigrams of the Book of Changes or I Ching. Sometimes used as an
oracle, the I Ching represents the interplay of Yin (the broken lines)
and Yang (the solid lines) through the relationships between the trigrams, and
was called the "experimental basis of Chinese philosophy" by C.G. Jung. Pa
Kua expresses these relationships through circular motions of deflection
and return. Thus, it is characterised by the movement of the body in large
circles while the hands move in small circles. The following figure shows the
relationships of the trigrams in the "Inner World" or temporal arrangement.

Hsing-I Chuan
Hsing-I Chuan was developed
nearly one thousand years ago during the Northern Sung Dynasty in China
and is one of the most famous of the original internal martial arts. Hsing-I
Chuan translates to "form and intention hand" or "body-mind hand". The
figure to the right, taken a few years ago, shows Sifu Mo practicing
Hsing-I.
A distinguishing characteristic of Hsing-I is the application of
small circular movements of the wrists, which develops great power.
The basic forms of Hsing-I are based on the five elements, their
properties, and their acupuncture meridians:
Element |
Property |
Meridian |
Metal |
Splitting |
Lungs |
Water |
Drilling |
Kidneys |
Wood |
Crushing |
Liver |
Fire |
Pounding |
Heart |
Earth |
Crossing |
Spleen |
The elements and the properties they stand for change into each
other according to the figure to the right. |
 |
In a sense, Hsing-I is like a waltz. A waltz has three simple
moves, and Hsing-I has five. However, like the waltz, the simple moves of
Hsing-I can be combined into thousands of variations, and their applications
are countless. There are Linking Forms which explore these variations
further.
Ch'i Kung
The word Ch'i in Ch'i Kung, translates roughly as
internal energy, while Kung means study. Ch'i Kung,
then, is the study of internal energy. Note that Ch'i is different from
the word Chi in, for example, T'ai Chi.
The actual practice superficially looks like a form of meditation, and
meditation is in fact part of it. However, Ch'i Kung adds to this a
practice based on breathing techniques. Postures include standing, sitting and
motion.
Chinese medicine believes that flow of Ch'i is vital to health.
Ch'i Kung also strengthens the practitioner's understanding of the
internal martial arts, and their related goals of inner understanding and self
defence.
"The internal energy should be extended, vibrated like a drum. The
spirit should be condensed in toward the center of your body"
-- Master Chang San-feng (circa 1200 C.E.).
Weapons

T'ai Chi Chuan is the
empty-hand style of T'ai Chi. There are related subjects that use
weapons. Common weapons used in T'ai Chi include the sword, sabre,
stick, and fan. Experience has shown that traditional practice with weapons
greatly aids in the overall development of T'ai Chi.
Many of the movements in the weapons forms have counterparts in the
empty-hand form, and as these parallels resonate in the student, a deeper
understanding is attained.

Self Defence
Every motion in the form of T'ai Chi Chuan has one or
usually many self defence applications. Through practice, the motions become
natural for the body and mind and therefore are automatically available if
needed. Thus, implicitly, self defense instruction is occurring by
teaching the form, and self defense is being learned by practicing the
form.
Explicit instruction in self defense, then, involves the student
learning and practicing the actual application of a move from the form, usually
with a partner.
An additional technique is called push hands, and involves
working with a partner to give and take internal energy in a natural effortless
fashion.
Other Resources
Web Sites
To properly learn any of the internal martial arts requires access to a
qualified teacher. Nonetheless, background information on the origins,
philosophy and principles of the arts can be a useful supplement. Here we list
some web sites which may be of interest:
Other Resources
List of Movements
A list of the sequence of moves of the T'ai Chi form is, of course, of
little or no use except to students who are learning the form from a qualified
teacher. Nonetheless, for reference, we give such a list below for Wu Style
T'ai Chi.
Traditionally, such a listing breaks the form down into 108 moves, For
ease of learning Sifu Mo has expanded this to 123 moves. Also for learning
purposes, each move is broken down further. For example,the sixth move in the
form is called Flying Oblique; it is broken down into three parts, which
are counted as 1, 2, 3. The first part is divided further
into two pieces, A, and B; the second part is only is only one
thing; the third part is divided into three pieces, A, B and
C.
- Opening movement (1)
- First steps (3)
- Seven stars (1)
- Grasp birds tail (2)
- Single whip (1)
- Flying oblique (1)
- Raise hands and step up (2)
- White stork flaps its wings (2)
- Brush knee, twist step (4)
- Hand strums the lute(2)
- Step up, parry and punch (2)
- Shutting a door (1)
- Carry tiger to mountain (1)
- 1st Cross Hands (1)
- Oblique, brush knee, twist step (1)
- Turn around, brush knee, twist step (1)
- Seven stars (1)
- Grasp birds tail (2)
- Diagonal single whip(1)
- Fist under elbow (1)
- Back brush knee, twist step (3)
- (2nd) Flying oblique (1)
- Raise hands and step up (2)
- White stork flaps its wings (2)
- Brush knee, twist step (1)
- Needle at bottom of the sea (2)
- Fan through the back(2)
- Turn body, throw fist (1)
- Step back, parry and punch (2)
- Seven stars (1)
- Step up, grasp birds tail (2)
- Single whip (1)
- Cloud arms (5)
- Single whip (1)
- High pat the horse, left (2)
- Body facing left (1)
- Spread right leg (1)
- High pat the horse, right (1)
- Body facing right (1)
- Spread left leg (1)
- Pivot body 180 0 Raise left heel (1)
- Brush knee, twist step (2)
- Step forward and punch (1)
- Turn body, throw fist (1)
- Step up High pat the horse, left (1)
- Body facing left (1)
- Raise straight right leg (1)
- Retreat to seven stars (1)
- Retreat step, beat the tiger (1)
- Open Swing right leg (1)
- Strike ears with fist (1)
- Body facing right (1)
- Raise straight left leg (1)
- Pivot body 360 0 Raise right heel (1)
- Throw fist (1)
- Step up, parry and punch (2)
- Shutting a door (1)
- Carry tiger to mountain (1)
- <59.> 2nd Cross hands (1)
- Oblique, brush knee, twist step (1)
- Turn around, brush knee, twist step (1)
- Seven stars (1)
- Grasp birds tail (2)
- Diagonal single whip(1)
- Seven stars (1)
- Parting wild horses mane, left (1)
- Seven stars (1)
- Parting wild horses mane, left (1)
- Step up Parting wild horses mane, right (1)
- Step up Parting wild horses mane, left (1)
- Seven stars (1)
- Parting wild horses mane, left (1)
- Step up (1st) Jade girl works the shuttle, left (2)
- Turn around (2nd) Jade girl works the shuttle,
right (2)
- Seven stars (1)
- Parting wild horses mane, left (1)
- Step up (3rd) Jade girl works the shuttle, left (2)
- Turn around (4th) Jade girl works the shuttle,
right (2)
- Seven stars (1)
- Grasp birds tail (2)
- Single whip (1)
- Cloud arms (5)
- Single whip (1)
- Snake creeps down (2)
- Golden cockerel stands on left leg (1)
- Golden cockerel stands on right leg (1)
- Back brush knee, twist step (2)
- Side step (3rd) Flying oblique (1)
- Raise hands and step up (2)
- White stork flaps its wings (2)
- Brush knee, twist step (1)
- Needle at bottom of the sea (2)
- Fan through the back(2)
- Turn body, throw fist (1)
- Step up, parry and punch (2)
- Seven stars (1)
- Step up, grasp birds tail (2)
- Single whip (1)
- Cloud arms (5)
- Single whip (1)
- High pat the horse, left (1)
- Slap the face (1)
- Turn body - Lotus leg cross (1)
- Brush knee, twist step (1)
- Step up Straight centre punch (1)
- Seven stars (1)
- Step up, grasp birds tail (2)
- Single whip (1)
- Snake creeps down (2)
- Step up to form seven stars (1)
- Retreat step, ride the tiger
- Pivot body, slap the face (1)
- Turn body Lotus leg swing
- Curve bow shoot the tiger (1)
- Step up High pat the horse, left (1)
- Slap the face
- Turn body, throw fist (1)
- Step up High pat the horse, left (1)
- Seven stars (1)
- Step up, grasp birds tail (2)
- Single whip (1)
- Closing (1)
- Completion
This document is Copyright © 1999, 2000 Philip Mo. This page was
last updated (m/d/y) 12/01/02.
